Kiso Suzuki went bankrupt in 1987 and the machines and materials were sold to ESP. In Suzuki's case, the company was separated into - the Suzuki Violin Company, changing to the Kiso Suzuki Violin Company and the Suzuki Violin Manufacturing Company came to be called the Nagoya Suzuki Violin Company. After the war, a entity created by the US and allies called GHQ (for General Headquarters) dismantled some parts of 'Imperial' Japan and some companies were closed or restructured. There was 'one' Suzuki company before the 2nd World War. Nagoya became the manufacturing center of string musical instruments. By 1910, his factory was producing 65,800 violins per year. He founded the Suzuki Violin Factory in 1900. In the 1880s, he started to manually produce and sell violins. In the push for westernization in Meiji, he naturally became interested in shamisen's western counterpart: violin. Masakichi succeeded his father's craft business that soon failed. His father was a samurai moonlighter who also made shamisens in Nagoya. Masakichi Suzuki (1859-1944)was Japan's first violin producer. Of science and technology of stringed musical instruments. Technology editor and contributing editorДЇor American Lutherie, the stringed instrument makers' journalД®ditor of the Savart Journal, the online research journal See the Liutaio Mottola Lutherie Information Website at

Nonprofit Technical Design and Research for the Lutherie Community Liutaio Mottola Stringed Instrument Design Hope this helps best of luck with your project.' I have heard good sounding instruments that made use of laminated top where the grain orientation of the plys was the same, but not enough to come to any conclusions about this class of construction. In my observation the so called double top classical guitars (which make use of spruce laminated with a central core of honeycomb Kevlar) sound no worse but certainly no better as a class than instruments using solid wood tops. Let me briefly touch on less conventional types of laminated tops. That said, I have heard nice sounding ABGs with laminated tops. It is my observation that, if one judges acoustic bass guitars by how close they sound to pizz upright bass, that reduced sustain helps to move the tone in that direction. Less sustain generally provides more perceived separation of notes of chords and in applications where this is a desirable feature, such as in archtop jazz guitars and other applications where complex chords are a key tonal element, laminated top instruments are more well received. Painting with a broad brush, this means classical and steel string acoustic guitars.

In musical styles and applications where sustain is considered to be a good thing, then laminated top instruments are generally perceived as tonally inferior. is that the laminated top instruments offer less overall sustain. My general observation of sonic differences between instruments with solid wood tops and wood laminated tops with center ply at 90 deg. These two factors conspire to make instruments with construction that deviates significantly from the norm for the type to be perceived as sounding not as good sometimes. And it is certainly true that the musical material played on any type of instrument evolved along with the instrument, and exploits the features and works around the shortcomings of that type. What sounds good to folks most often is what sounds most familiar. to the outside plys? Could it mean a wood laminate where grain orientation was aligned for all plys? Could it include a center ply that is not wood at all, as in so called double top construction?ДЄnd then there is the issue of what the term 'sound as good' means and implies. What exactly is meant by the term laminated top? Does it mean conventional wood laminates with the grain orientation of the middle ply at 90 deg. There are a number of variables here which should be considered. 'If you have read my site in any depth you will know that I am not one for simple answers, and there is no exception here. I posed the question to him in an email and he kindly responded and gave me permission to quote the following response.).check out his interesting web site. Mottola, a well-known and respected luthier, editor, and author.

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